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Composers and Lyricists are listed in alphabetical order. Contact details are given if requested by the Composer or Lyricist concerned. If you want to get in touch with a Composer or Lyricist who has not given contact details, you can do so through us and we will forward your message. To have your Biog / contact details added, simply email us up to 200 words, plus a .jpg or a .gif picture. Please indicate if you would like your email address included, and your homepage URL if you would like a link to it. |
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| Composers / Lyricists featured (click here to jump directly): |
Craig Allison |
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| Craig
Allison
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Composer
Lyricist |
Award Winning:Songwriter, Author Published Writer, Registered Landscape Architect Designer, and Artist |
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| John
Gauntley
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Composer | John
has been composing music on the guitar and piano from an early age and
has had works performed on BBC radio as well as in Church as a wedding
march.
His compositions are wide ranging, from the monumental 'Descendance' to the soft, melodic 'Ascendance'; from the highly moving 'The Chase is Over' to the heavy rock 'The Soothsayer' (songs featured in Spirit of History, written with Jonathan Posner and Chris Smellie). When not working as a highly successful wine merchant, John can be found listening to a collection of classical CDs that any library would find very large! |
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| Mike
Gibb
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Lyricist & Composer |
Mike Gibb has been the editor of UK based show music magazine, Masquerade, for twelve years and for the last decade has been the UK columnist of US magazine Show Music. He wrote the story, book and lyrics for the new Scottish musical, A Land Fit For Heroes (music by Graham Stephen) which premiered at the Lemon Tree Theatre in Aberdeen in June, 2001 to great critical and audience acclaim. Further productions in Scotland and North America are in the pipeline while a professionally recorded CD has been released by WHAS Records (whas2006). For further information check out the web site www.hamepages.com Mike has also worked with London based composers like Bernard J. Taylor and is currently writing a one act musical revue with talented writer Alexander S. Bermange. A new Scottish musical titled Mother Of All The Peoples, based on the life of Dundee jute worker Mary Slessor who became world famous for her work as a missionary in West Africa, was successfully premiered in Aberdeen, Mike having written book & lyrics and co-written the music with Mairi Paton. Mike
can be contacted by e-mail at
info@hamepages.com |
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| Anne Knight
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Playwright | Anne
Knight started writing for the theatre in 1980 and has continued to write,
direct and act in the Milton Keynes area. Anne will also undertake
writing commissions and workshops in both acting/directing and playwrighting
within a 50 mile radius of Milton Keynes.
Anne has ane extensive catalogue of works encompassing Musicals, Comedies, One-Act Plays, Monologues and Speeches. Visit her website. Email Anne |
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| Alan
Lewis
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Composer / Lyricist | Alan
is both a words and music man. On the words side, he has two published
volumes of his puns – A pun my soul and Pundemoniam –
many of the pieces originally for The Sunday Times or BBC Radio
2, and works as supporting editor on two construction journals. He also
has written copy for greetings cards and in 2002 saw his new carol Hope
in the world published as a Christmas card by Calligraphic Cards.
His collaboration with Trevor Pilling led to the staging in Chesham in
May 2002 of Below Stairs, a musical comedy set in 1914, for which
Alan composed all the music. Described by actor/playwright Simon
Williams of TV's Upstairs, Downstairs as ‘fabulous', the show
attracted rave reviews and is being performed by a Spanish-based ex-pat
group, the Jávea Players, in April and by the 100-year-old Utopia
Operatic Society in Catford in September 2003. And what better way to finish this outline than with some review quotes: ‘energy, polish, glitz', ‘instantly likable songs', ‘a top-class show of music, fun and surprise', ‘captured the era perfectly', ‘polished script and lyrics', ‘fine variety of tuneful songs', ‘witty lines and good humour' and, most relished, ‘deserves to go forward to national recognition'. |
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| Judy
McGrigor
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Composer | Judy
is an RAF wife and mum to two young boys and has a background in teaching
and lecturing in music. She has just returned from four years in Cyprus
where she kept herself busy writing incidental music for A Midsummer
Nights Dream at Curium Amphitheatre in 1996, producing music for 2 pantomimes, directing the Episkopi Music Festival working with various military bands, and a school production of Oliver. In collaboration with Chris Terrington, who wrote most of the lyrics, Richard the Lionheart was Judys first musical. It took over a year to write and was recorded live at the ancient amphitheatre of Curium in Cyprus; a fitting spot - near the chapel of St. George where Richard married the beautiful Berengaria of Navarre, with the sea and summer breeze as real live sound effects! Judy and Chris went on to write Bethlehem 2000 - a rock nativity which was performed by a host of singers and the Normandy band in97. Judy completed the script and music for 'The Britts last year which was performed by a cast of 70 in March 99. It was selected in April 2000 for the semi-finals of this years Vivian Ellis awards. Both she and Chris are planning another work. |
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| Anthony
Merryweather
Andrew Monk
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Lyricist
/ Composer
Lyricist / Librettist |
Anthony
Merryweather and Andrew Monk teach Music and History, respectively, at
a small prep school in Surrey, UK, and have been writing and producing
school productions for the past three years. Anthony recieved much media
attention for his opera, 'Troy', which he wrote whilst still a schoolboy
at Shrewsbury. Since then he has worked on many productions as Musical Director both here and overseas. Andrew began his writing career with Ash Logan, producing ideas for 'Weekending' and many unfinished comedy scripts! The idea for TRAFALGAR came about on a golfing weekend in Norfolk, when it was realised that Nelson had had very limited exposure on stage or screen (they then worked out that Blood Brothers was the last British musical about a British subject). Nelson is one of England's best known and most controversial national heroes and setting the show on HMS Victory makes it visually stunning - especially the battle scene. They have set up our own company, 2am Productions and have had help and interest from Mary Williams at DeWynters. A demo CD is available, featuring 7 numbers from the show.
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| Tony
Osborne
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Composer
Bass player |
Tony was born in Slough, Berkshire, on 10th November 1947 and initially studied cello before finally moving to the double bass. He studied at the Royal Academy of Music, London, 1966-69 with Richard Stoker for composition and John Walton for double bass, and so became a busy free-lance bassist in London, performing with many UK orchestras, BBC Symphony, BBC Concert, Royal Ballet, Festival Ballet and D'Oyle Carte. "From an early age he was introduced to jazz and popular music, influences which remain important and have combined with his classical training at the Royal Academy of Music to produce an eclectic range of compositions. 'Jazz is a major influence on my work', he says, 'I was introduced to it by my brother who taught me a great deal about jazz and classical music. We listened to Dizzy Gillespie, Charlie Parker and a whole range of jazz greats. And my father was an enormous influence on me. A very gifted violinist, he played both romantic gypsy music and for silent movies, and worked with local operatic societies as Music Director. All of these influences helped to form me as a player and composer'". Gershwin, Copland and Bernstein are the three main influences on Osborne. 'I'm often thinking of Gershwin when I write' he says. 'I admire the rhythm in Copland's work and the melodies of Bernstein. Russian and French music are also major influences especially Shostakovich and the lesser known Georgian composer, Balanchivadze'". "Through his enthusiasm for the double bass, composition and teaching, Osborne has made a unique contribution to the repertoire for that instrument. As part of a long tradition of composer performers, he continues to promote music - in all its guises - to a wide audience, ensuring the popularity of the double bass" Nigel Tallantire (Classical Music 26 July 1997) |
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| Jonathan
Posner
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Lyricist
Dramatist |
Jonathan
Posner has been writing lyrics and plays since the early 1980's. His comedy
play Private Eyes
has been performed on a number of occasions and was commended in the 1990
Chalfont Drama Festival.
He has also written lyrics and full libretti for three Musicals, working in conjunction with a number of highly talented composers (see Musicals Showcase). He also is one half of a theatrical double act with Jeremy Fletcher, touring venues in South-Eastern UK as 'Fowle' in John Mortimer's play 'The Dock Brief'. Love of the movies has also led him to reviewing films on TV (Collins and Maconie's Movie Club) and radio (Steve Wright at the Movies) in the UK |
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| Chris
Smellie
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Composer | Chris
has recorded 3 albums under the band name Trademark and is currently recording
and producing a live album with the main worship leader, David Hind, at
his home church in Nottingham, UK.
Chris co-wrote and arranged the show Spirit of History with John Gauntley and Jonathan Posner, which was premiered in Windsor in 1993. Other work includes private music teaching, a tape duplicating business and running his own recording studio. |
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| Mark
Wheeller
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Composer | Mark
Wheeller has been writing plays since his schooldays at Marlwood Comprehensive
School, Bristol. As a teenager his dream was to be the next David
Bowie and so he spent much of his time writing songs and Rock Operas ...
aping his hero. No band would play his songs and no-one shared his
belief in "Eed Sud and The Luminous Earwigs" although
had they been formed, Mark is convinced they would have undoubtedly taken
the world by storm!
Undeterred Mark found that if he organised plays around the songs, he could get friends to perform them. His quest for super-stardom led him in a completely different direction - writing plays. The songs (with the exception of those in the World War II Musical Blackout and one in his recent allegorical musical, Wacky Soap - A Cautionary Tale) remain unknown, but his plays have gone on to achieve success. Too Much Punch For Judy, a "hard hitting" one act anti-drink driving play has been seen by over half a million people across the world and has achieved considerable festival success for those amateur groups who are aware of it. "The play demands little in the way of settings and props. It provides 45 minutes of exceptional theatre and staging challenges for all groups. It is harrowing ... heart rendering and poignant ... there is no doubt that its theme is bound to take hold of audiences everywhere." Amateur Stage February 2000 Those of you over 35 may be interested to know that Mark, together with his wife Rachel, wrote many of the Tufty stories (Tufty's Adventures and 12 issues of Tufty Tales comic) when RoSPA relaunched them in the mid-nineties. They live in Southampton, have three children (Ollie, Charlie and Daisy), and have both worked at Oaklands Community School since 1987. Mark, an original Glamrock fan, had an article published in the Mott The Hoople fanzine Two Miles from Heaven (Issue 2)!!! http://www.amdram.co.uk/wheellerplays/
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